66 Royalty-Free Audio Tracks for "Very Big"

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

A clean raw stereo recording of about a thousand people chatting with each other. Includes distinct dialogue in american english, iberian spanish, french and other languages. Recorded in stereo on an h4n. The microphone was positioned inside the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A soundscape conveys our interpretation of the origin of universe. It mixes scientific, vedic hinduism and creative approaches. Starting from the very beginning (big bang and “om” sound), passing through the universe expansion and focusing mostly on earth evolution, including molten rock and floods eras, as well as sounds from living creatures. We used a combinations of sounds from our custom pure data patches, vst synthesizers and a few samples from freesound. You can find the attribution below.

I was walking down some enclosed steps in a parking garage and i noticed that the metal handrail made a nice, big ringing-bell sound when i tapped it with my fingers, so i decided to record it. I used this sound in my movie, later that day (although i didn't intend to when i was making the recording). It's very musical - kinda reminds me of 'hells bells' by ac/dc. Here is the movie that i used the sound in, in case you're interested:. Https://youtu. Be/ub0tc9m4bs4.

In a room full of whirring machinery, a small robot and a very large robot use beeps to sing a duet: “hine, e hine”, written by the princess te rangipae (fannie rose howie/pane poata - te whanau-a-apanui, ngati porou) in 1905. Made with the freesound samples:. “3beeps” by pera - https://freesound. Org/people/pera/sounds/56229/ (cc0)“thailand room tone hotel open hall common area with air conditioning, fan, and distant traffic bassy echoey resonant through wall. Flac” by - https://freesound. Org/people/kyles/sounds/177721/ (cc0).

I remember as if it was yesterday !. An enfant terrible move sprungvery spontaneously out of the brainof just a normal guy 👦 whowent to get a nice but huge two-piecevintage very german very deutsch hohnerguitar / instrument amplifier ( so very big ) about900 km away direktionebavaria. . . The year was 2018. . . Ah, withthe train. . . 9h in the train one way , 9h back. . . Around the corner of the thomann. De huge onlinemusicstore , that’s what the seller told me. . . Btwi won this little auction on ebay & there was no wayi was going to let it ship, besides i travelled freeback in those days !. At a certain moment ! poef ! train packed withpeople. . . I thought, this must be my moment degloire ! a performance in a german packed train. . . So ipulled out my little phone, looked for the googletranslate app, searched for some inspiration &the rest is history , 25 oktober 2018 ! what aglorious day ! german people are so reservedmight i say polite ! no reaction whatsoever ??!!??. . . That’s why ladies &gentlemen, i put it on again but a little bit louder. . Kein ein without zwei !. 23. 11. 2020jj josé.

Recorded on the shortest day of the year at the edge of a lake where the wind was gusting from the south at 15 to 20 miles an hour. At the beginning you hear some geese in the distance. This recording was made using my sony pcm m-10 with it's internal microphones set to level 5 input volume. I actually placed the recorder, carefully, in a crook of some branches in an oak tree about 5 feet above the ground---very near a big clump of dead and brown oak leaves. . . . This gives you that wonderful sound of the wind hissing through the leaves.

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Wshintani__airplane-landing. Wav. Nuncaconoci__truck-jake-brake. Wav. Melissapons__whoosh-motron-very-low. Wav. Danwardvs__harddrivespinup. Ogg.

This is a version of a previous file i created (https://freesound. Org/people/funwithsound/sounds/394897/)that includes a gong at the end to make it more dramatic. The link to the gong sound is here: https://freesound. Org/people/veiler/sounds/209917/. It would be really nice of you to credit the user "veiler" for their awesome gong sound, and maybe me for making the failure sound. But no obligations. :-). While perusing freesound for a nice and dramatic sound or two of failures, all the ones i've seen were pretty wimpy, so-to-speak. So i decided to create a few failure samples on a music-making program called musescore. These are for big whopper failures (or "epic failures") and are very dramatic - they may also be used for a scary event in a film or play. It includes a short buildup and a loud dissonant chord at the end to create suspense and horror. For this project i used violins, violas, cellos, double basses, timpani, cymbals and brass. Enjoy!.

I recorded this at late night in a rural german area at summer, approximately 150 - 200 meters away from the party (the party took place on a big and open field). The wind was blowing away from the people towards me, which is the reason, why you can hear the people well, even though there were trees between the people and the recording micorphone. Mabe you can hear a few cars very far in the distance along with the near taxis, picking the people up to take them home, too.

A suspenseful riser made from a wet mix of a rate-shifted bed frame being hitted and reversed after it has been "glued" or rendered as is, producing a deep, "mega-marvin" similar sample. A sample that was created from utilizing chromatic tones, stretching, reverb and the use of the wet/dry filtering to get the mix "just right". If you aren't aware of what the mega-marvin is. Mega-marvins are essentially instruments containing extremely heavy string, woodwind and varying density of materials that generate strong noises, trailing ambiances and brass-like sound qualities quite suited to the horror genre, generating a daunting and sorrowful sounds. Very fascinating stuff, look it up if you can - they're big and quite technical.

Beijing the imperial palace hall beat copper cylinder sound10 large uranium cylinder qianqing outside on both sides of the eye-catching. The large copper cylinder glittering, against the red wall under the red line, rich hall after the emperor, gas blood is very strong. However, these large copper cylinder and the big iron old palace was not installed hungry activities, fire appliances but for water storage. Cylinder usually note huang wang water, ready to fire. In winter, was to prevent freezing, exclusive interior palace eunuch in charge of in cylinder jacket insulation and affix the colonel wind sleeve, cylinder bottom also ene charcoal fire, until the next spring when the withdrawal of the fire. After the establishment of the imperial palace museum, in order to prevent the water in the cylinder, cylinder bottom leakage holes are drilled. These large cylinder, bronze and cast iron for the ming dynasty. Gold casting in a copper cylinder are in the qing dynasty.

This is the soundscape i've recorded in my neighboorhood of cidade tiradentes, a district from são paulo, brazil. We name these events as pancadão (big punch) or fluxo (flow). When a flow occurs, you know that the sound is very high and it invades all surroundings. It happened in april 4, 2021, during our worst period in the the global covid-19 pandemic. Plent of people, vehicles, multiple speakers and so on in a street. I'm writing in the exact moment police came to repress, but in my conclusion only education can solve city problems, not repression, not paliative atitudes. I think this is interesting to share it here, as a cultural manifestation, showing that when the state fails, everyone fails. This is disrespectful at all, but i try to look it as a construction of city. In a country where its president goes for a for a swim at a crowded beach amid 200 thousand pandemic deaths, how can i criticize suburban people?. I'm not conservative, i like the kind of music playing known as"brazilian funk" or "funk carioca", this is our culture, even if i do not participate actively. Plot twist: i was working in a asmr video. *-*. Recorded in mp3 320 kbps, using a zoom h1n and compressed in ableton live to bring on the dynamics.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.